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Dungen's Tio Bitar - Album Review
By James Randall Twist
The latest album from Swedish psychedelic rockers Dungen is Tio Bitar which is set to be officially released in May of this year, 2007. This is their first album since 2004’s Ta Det Lugnt.

When I first heard the name Dungen I was a bit put off thinking that these guys would be some sort of silly death metal band but it turns out Dungen is actually Swedish for “the Grove.”

Dungen is mostly the work of vocalist and multi instrumentalist Gustav Ejstes who writes all of Dungen’s and records most instrumental parts himself.

Dungen’s recordings have an analog sound to them. Very warm and inviting. Their sounds very alive is very refreshing in the digital age. That being said I don’t think it’s fair to just classify Dungen as “retro psychedelic rock sung in Swedish” because there’s a real feeling of originality and invention to their as well.

As a huge fan of Dungen’s last album I was very excited to hear this new release upon it’s early leak.

Tio Bitar starts off with a track that is titled simply “Intro” and this song hits like an absolute ton of bricks with a searing guitar solo that comes close to melting time itself. One of the coolest album openers I’ve heard in quite some time. If you are in any kind of daze it forces you to attention. The flute with loads of delay is a great touch to drop into the track when there’s nothing left to melt. A beautiful example of psychedelic rock. This is an instrumental track as there’s really no room left for vocals because of all of the rock that takes up all of the available space.

The album has no weak tracks in my opinion but among the stand outs are track #3 “Gor Det Nu” which goes back and forth from full on rock to a sort of half time sounding chorus. There’s a great combination of intense guitar rock with very subtle keyboard sounds in this track (and in many of the others on the album.) I haven’t spoken much of the vocals yet and I would say in comparison to the incredible that the vocals do seem to get lost a bit in the mix but there are some beautiful harmonies and it doesn’t really bother me that the vocals are all in Swedish. Not being

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